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就这样… 第一季
已完结
欧美剧
HBO Max将制作《欲望都市》的10集复活限定剧,剧名定为《就这样... And Just Like That…》。故事将讲述Carrie、Miranda和Charlotte面对50多岁的复杂人生和友谊。 Sarah Jessica Parker、Kristin Davis和Cynthia Nixon确认回归,Kim Cattrall缺席。回归的三人将和电影版编导Michael Patrick King共同担任执行制片。
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黑色安息日
HD中字
恐怖片
《黑色安息日》是1963年由马里奥·巴瓦执导的一部意大利恐怖电影。鲍里斯·卡洛夫除了出现在链接段落中,还在《武达拉克》(根据阿列克谢·康斯坦丁诺维奇·托尔斯泰的故事改编)中扮演了一个角色。这部电影由三个恐怖故事组成,另外两个是《水滴》和《电话》。
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魔鬼银爪
HD中字
恐怖片
16世纪,一个无名的炼金师为求得永生,制造了名为“魔鬼银爪(Cronos)”的装置。它可延续人的生命,令其恢复青春活力,却也要求人类付出相应的代价。几经辗转,收藏着魔鬼银爪的雕像落入善良的古董商人耶稣·格里斯(Federico Luppi 饰)的手中。他偶然发现这个装置 及其隐藏的秘密,于是对其产生依赖,任凭魔鬼银爪将他变成为了青春而嗜血的怪物。另一方面,身体羸弱的富商安吉拉·迪拉·加迪亚(Ron Perlman 饰)得知魔鬼银爪在耶稣的手中,于是千方百计要将它弄到手,为此不惜大开杀戒…… 本片为导演吉尔莫·德尔·托罗(Guillermo del Toro)的长片处女作,并荣获1993年墨西哥Ariel奖金奖和最佳男主角、最佳导演、最佳处女作、最佳原创故事、最佳制作、最佳编剧和最佳特效等多个奖项。
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艾尔酒吧
HD
恐怖片
普通的一个白天,11个普通人被困在一个简陋的酒吧eee。里面有老板厨子,有熟客,有偶然进去寻找充电器的陌生人。但是突然之间,大家发现出去的人就要被杀死,而酒吧内部也渐渐危机四伏。
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米勒的十字路口
HD中字
恐怖片
美国一个小城市,当地的黑帮老大利奥和他的好朋友兼助手汤姆(加布里埃尔•伯恩 Gabriel Byrne 饰)同时爱上了黑道中人伯尼(约翰•特托罗 John Turturro 饰)的妹妹维娜(马西娅•盖伊•哈登 Marcia Gay Harden 饰),两个好朋友甚至为争夺维娜的爱的而反目。同时,当地的另一个黑帮老大卡斯帕极力拉拢汤姆,答应帮他偿还赌债,条件就是干掉伯尼。汤姆为了讨维娜的欢心,暗中帮助伯尼藏了起来,对卡斯帕却宣称自己已经杀死了伯尼。不料伯尼反咬一口,以此威胁汤姆帮他干掉卡斯帕,不然就重新露面。局面霎时变得混乱起来。
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狼人
HD中字
恐怖片
劳伦斯·塔尔伯特(本尼西奥·德尔·托罗 Benicio Del Toro 饰)因幼时的悲痛记忆,离家多年并与家人鲜有联系。一日,在伦敦演出的劳伦斯被弟弟本杰明的未婚妻格温·康利弗(艾米莉·布朗特 Emily Blunt 饰)找到,康利弗告诉劳伦斯本杰明惨死的消息,并请求他回家乡黑色荒野进行调查。劳伦斯重新回到幼时生活的地方,此行他不仅想找出杀害弟弟的凶手,而且希望揭开母亲当年惨死父亲怀中的真相。记忆中宛如世外桃源般的黑色荒野因为接连有人受袭身亡而陷入恐慌,关于月圆之夜出现的怪物更是众说纷纭。调查中劳伦斯终于亲眼见到传说中的怪物——狼人,在追杀狼人的过程中,劳伦斯不幸被咬伤。伤愈之后的劳伦斯感到自己的体内开始产生变化,关于被狼人咬伤后将变成狼人的传说应验在了劳伦斯的身上……
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撒旦的面具
HD中字
恐怖片
这是一部以营造气氛见长的经典恐怖片,讲述1630年一个女巫和她情人被她自己的兄弟杀死。两百年后,两人复活,向她兄弟的后代(其中有一个酷似女巫)复仇。 跟多数意大利恐怖片一样,本片的故事并不特别,但哥特式的场景阴森难忘。故事灵感来自果戈里小说。女主角一人分饰两角,暗示善恶之间只有一线之隔,演绎起来的样子就像是神情恍惚的肯尼迪夫人。 众多恐怖电影迷们都以为他们的钟爱己在Universal、Hammer、Roger Corman和其他一些著名的恐怖电影制片室和生产商摄制的各类影片中得到了实现。其实只有当你到阳光灿烂的意大利对满布阴霾的意国电影走走看看时,你才算真正经历了经典的恐怖电影。 Black Sunday (1960) 又名 The Mask of Satan:意大利电影制作者再次着手恐怖电影的拍摄已经是四年以后了,在Renato Polselli同样受欢迎的《The Vampire and the Ballerina》(1960)之后,摄影师Mario Bava首次作为导演浮出水面,创作了一部代表性的恐怖电影,这宣告恐怖电影作为一种电影类型从此诞生。 The Mask of Satan是真正意义上的恐怖电影代表作,故事大致源于果戈里的《the Viy》,它讲述一个处死二百年后的巫婆复活人世开始报复当初处死她的人们的后代,然而这个故事相对于Bava那几乎要跳出屏幕般的特殊视觉效果而言稍显次要,他的构图如此复杂,以至于影片的每一帧都可以被放大并挂在墙上,光与影的强烈对比营造出有什于Universal公司早期作品的恐怖效果,Bava创造出一出惊心动魄的神怪故事,充斥了巫婆、幽灵、秘密通道、凄叫的野狗、恶毒的公车司机甚至包括对着路人张牙舞爪的树枝。每一位看完此片的恐怖电影迷都着实大开眼界。 这部影片在意大利取得成功并预示着Bava执导生涯的开始,它在美国经过删改后冠以《黑色星期天》(Black Sunday),同样大受欢迎。虽说它经过了修改,但基本上还是保证了原作的汁味,并一着被能在首映时有幸一睹的美国电影迷们津津乐道难以忘怀。影片取得成功的一大功劳归于片中的影星Barbara Steele,这部作品标志着Barbara Steele演艺生涯的发韧,之后她又在九部义大利恐怖电影中担纲主演,每一部都因她的表现而亮色。她那阴暗的造型、冷淡的情欲使她自然而然地适演恐怖片,由她演出的多数电影取得成功都与她的表现密不可分,她的另外几部意大利恐怖电影为:《The Horrible Dr. Hichcock》( 1962)、《The Ghost》(1963)、《Long Hair of Death》(1964)、《 Castle of Blood》(1964)、《Nightmare Castle》(1965)和《She-Beast》 (1965)、 《Terror Creatures from the Grave》(1966)、《An Angel for Satan》(1966)。
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大白鲨4:复仇
高清
恐怖片
渡假胜地阿米堤海滩曾多次有人被大白鲨侵袭,警长夫人艾伦对此心有余aaa。多年后,其子西恩接替警长职位,他在一次出海巡逻中神秘失踪,显然是受到了大白鲨的侵袭,在艾伦悲痛之时,神秘的航海冒险家出现在她身边,于是他们一起联手对付大白鲨。
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大白鲨4
HD中字
恐怖片
渡假胜地阿米堤海滩曾多次有人被大白鲨侵袭,警长夫人艾伦对此心有余悸。多年后,其子西恩接替警长职位,他在一次出海巡逻中神秘失踪,显然是受到了大白鲨的侵袭,在艾伦悲痛之时,神秘的航海冒险家出现在她身边,于是他们一起联手对付大白鲨。
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饥饿站台
HD中字
科幻片
在未来的反乌托邦国度中,囚犯们被关押在垂直堆叠的牢房里,饥肠辘辘地看着食物从上层落下,靠近顶层的人吃得饱饱的,而位于底层的人则因饥饿而变得激进。 由加尔德·加斯特卢-乌鲁希亚执导的《饥饿站台》是一部扭曲的社会寓言,讲述了人类最黑暗和最饥渴的一面。
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蒙上你的眼:逃出巴塞罗那
HD
科幻片
《蒙上你的眼:逃出巴塞罗那》由《蒙上你的眼》的制作人倾情打造,是 2018 年备受观众青睐的热门电影的衍生作品。在一股神秘力量使世界人口大量减少之后,塞巴斯蒂安必须在巴塞罗那荒凉的街道上展开自己的求生之旅。当他与其他幸存者结成不稳定的联盟,并试图逃离这座城市时,一个意想不到、甚至更加险恶的威胁正在增长。
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那夜四次
HD中字
喜剧片
这个导演十分可恶,先极尽勾引诱惑之能事,逐步升级,把你搞得遐想连翩,简直都要控制不住了,然后兜头一盆冷水,一下浇灭了你的热情如火,让你不禁质疑起自己的性心理——我真的如此丑陋?真的不能把别人当作有人格的人来尊重,而只把他们当成欲望的工具?我的欲望本身难道不是丑陋的吗? 他其实在抨击现代传媒方式,是媒体把人们变成了这样——我要满足我要爽,而这并不是生活的真相,真正的美好常常与爽无关。 虽然手法有些恶劣,但其实,他是想要传达一些信息,帮助你改善自己的生活。
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男人们多粗野
HD中字
喜剧片
The film was a great success, De Sica and Lia Franca became stars and the song Parlami d'amore Mariù was a hit. Rarelly in Italian film history, it was filmed on real Milan locations, nowadays it is a sort of documentary how was Milan in the 30s. The film was remade in 1953 by Glauco Pellegrini.
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热天午后
HD中字
喜剧片
根据真实故事改编,美国历史上最不完善的银行抢案。 本该是10分钟完成的银行抢劫犯罪,却变成了12小时的拉锯战。桑尼(阿尔·帕西诺饰)算是美国历史上最倒霉的银行抢劫犯了。一个盛夏的下午,桑尼与同伴塞勒(约翰·卡扎雷饰)闯入纽约市布鲁克林银行,准备实施抢劫。怎奈银行刚刚完成交易,金库内根本没有现钱。倒霉的桑尼与塞勒转而劫持人质,与警方对峙提出要求。但4小时后,劫案现场被围观群众和手忙脚乱的警察弄得像游乐园一样热闹。桑尼走出银行对警察的质问居然赢得了群众的喝彩。8小时后,银行劫案登上了电视节目的实况转播,大家仿佛拍电影一样高兴。而这时夜色降临,人质亦出现了斯德哥尔摩症候群,究竟这场闹剧将以什么方式结束?
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三艳嬉春
HD中字
喜剧片
维斯康提那段讲罗密·施奈德扮演的美丽少妇设计向丈夫报仇,冒充他情妇,让他花钱才能得到她;德西卡的那段讲一个胆小的人赢得一个奖,奖品是跟一个女孩的约会;莫尼切里那段在很多海外版本中均被删除,其风格比较偏传统喜剧,较低调,容易消失在同行的阴影里;但最为出彩的还是费里尼的那段,名为《安东尼博士的诱惑》,讲一个波霸美女从海报上“活”过来,取笑一个道貌岸然的禁欲男子。 幕后制作: 四位重量级意大利导演用各自的手法捕捉薄伽丘的精神,以罗马为舞台呈现大型世像图。虽然只是部短片,但费里尼却以轻松嘲讽但不失沉重的语气来讲述这个揭露上层阶级虚伪道德观的故事。安东尼博士是个值得探讨的人物,他面对价值崩溃、道德沦丧感到无能为力,妄图以虚伪的面具来掩盖自己内心的欲望,但当巨大的女郎形象从广告中走出与他同乐时,他的本性终于显露。费里尼用梦幻与现实交错的手法同时制造出荒诞与沉重两种调子,极具表现力,在本片中给人印象最为深刻。
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这个杀手不太冷
HD中字
动作片
里昂(让·雷诺饰)是名孤独的职业杀手,受人雇佣。一天,邻居家小姑娘马蒂尔达(纳塔丽·波特曼饰)敲开他的房门,要求在他那里暂避杀身之祸。原来邻居家的主人是警方缉毒组的眼线,只因贪污了一小包毒品而遭恶警(加里·奥德曼饰)杀害全家的惩罚。马蒂尔达得到里昂的留救,幸免于难,并留在里昂那里。里昂教小女孩使枪,她教里昂法文,两人关系日趋亲密,相处融洽。 女孩想着去报仇,反倒被抓,里昂及时赶到,将女孩救回。混杂着哀怨情仇的正邪之战渐次升级,更大的冲突在所难免……
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荒野大镖客
HD中字
动作片
墨西哥边境小镇来了一位大镖客(克林特·伊斯特伍德 Clint Eastwood 饰),他得知镇上势不两立的两大帮派罗霍兄弟和镇长巴克斯特相厮杀已久,便决定与两派斡旋,除去镇上恶势力,恢复小镇的平静。他目击罗霍兄弟劫杀了一队士兵并私占黄金,于是利用两具士兵尸体吸引巴克斯特来寻找罗霍兄弟的罪证。同时,他又将消息透露给罗霍兄弟,导致双方展开了一场激烈枪战。乔在两派激战时找到了黄金,并发现被罗霍兄弟囚禁的女人玛利索,他将玛利索交给巴克斯特,换回了在激战中被捕获的儿子安东尼奥。但后来他得知玛利索是被罗霍家的雷蒙抢占,于是设法救出了她,帮助她与丈夫孩子一起逃出镇子。深爱着玛利索的雷蒙发现心爱的女人被放走,便认定是巴克斯特一家所为,于是展开了疯狂的报复。究竟两大帮派谁胜谁负,作为中间人的大镖客能否实现恢复小镇和平的计划?
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英雄的崛起
HD中字
动作片
A journey from Suphan to the Kingdom of Ayothaya of a boy named Kaew, he travels with hope to be enlisted in the army in the time of war, there he meets Pim, his first love who is now engaged to a perfect man called Chang.
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胆包天
HD中字
动作片
Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
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米兰九口径
HD中字
动作片
Fernando Di Leo's Milano Calibro 9 is an out-and-out masterpiece of Italian Crime cinema and, in my opinion, one of the most astonishing crime stories ever told. The first film in Di Leo's excellent 'Milieu' trilogy, Milano Calibro 9 was followed by La Mala Ordina (aka. Manhunt, also 1972) and the brilliant Il Boss (1973). The three films are not connected story-wise, but all three are excellent, and highly realistic portrayals of organized crime. As far as I am concerned Manhunt is (allthough excellent) slightly inferior to this one and Il Boss which both stand out as absolute all-time highlights of crime cinema. Milano Calibro 9 is the best of them all, a film that is astonishing in all aspects, be it the ingenious plot that, apart from a compelling story and clever twists, includes social criticism, the performances, the gritty atmosphere and suspense or the brilliant score. I can hardly find the right words to express my admiration for this masterpiece which easily ranks among the greatest Gangster flicks ever brought to screen. Gastone Moschin stars as Ugo Piazza, a tough and elliptical ex-convict who has just been released from prison. Immediately after his release, Ugo is approached by members of the Milan mob lead by the irascible gangster Rocco (Mario Adorf), as they suspect him to be responsible for the disappearance of a large sum of money belonging to their boss, an American (Lionel Stander) who controls the organized crime in Milan... Milano Calibro 9 is a film that delivers an astonishingly realistic mood of the underworld like hardly another. The intriguing storyline goes in hand with interesting characters, raw atmosphere, suspense and breathtaking action, social criticism and brutal violence. The film is simply stunning from the beginning to the end, which is even intensified by the brilliant score, a collaboration of the famous composer Luis Enríquez Bacalov and the Italian Progressive Rock band Osanna. Ugo Piazza must be one of the most charismatic gangster characters ever in cinema, and Gastone Moschin was the prefect choice for the role. Moschin delivers a brilliant performance, and the rest of the cast is also great. Mario Adorf is irascible like a rabid dog as the ferocious gangster Rocco, a role that fits him like a glove. The great Lionel Stander fits perfectly in his role of the American Mafia Don. The two cop characters in the film are played by two of the greatest regulars of Italian genre-cinema, Luigi Pistilli and Frank Wolff (who committed suicide before the film was released). The ravishing Barbara Bouchet is astonishing and incredibly sexy in the role of Ugo Piazza's stripper girlfriend. Bouchet is both a stunning beauty and an excellent actress and this is doubtlessly one of her most memorable roles. This is also a political film and director Di Leo embedded a lot of social criticism about topics like corruption. This film simply has everything one can possibly desire in cinema. Films like Milano Calibro 9 are the reason why I love cinema. This is an absolute masterpiece in all regards and, without exaggeration, one of the greatest Crime flicks ever made! The ingenious opening scene alone is more memorable than most films get in two hours.