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床事不过三
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喜剧片
对于同异性的交往，外表英俊的汤姆（Stephan Luca 饰）有一个奇怪的原则，他并非不喜欢女人，只是两人之间的亲密接触最多只能有三次，即便有着这个不可打破的原则，汤姆的身边的女伴依然层出不穷。艾丽莎（Marleen Lohse 饰）是个漂亮女人，所以当她第一次出现在汤姆的面前时，汤姆就已经锁定了狩猎的目标。 汤姆所在的公司面临着经济上的巨大危机，而汤姆即将谈判的生意成为了公司唯一的希望。没想到，这次的客户不是别人，正是曾经和汤姆有过一段露水情缘的旧情人。以此事为契机，汤姆和艾丽莎之间产生了隔阂。艾丽莎租的房子即将到期，无家可归的她被汤姆收留了。当这对恩怨颇多的男女住在同一屋檐下时，会发生怎样浪漫而有趣的事情呢？
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坏种2
HD中字
恐怖片
Sequel to Rob Lowe's 2018 The Bad Seed, follows now 15-year-old Emma, as she is sent off to boarding school where a new girl seems to know Emma's secrets, leading Emma to to slip back to her old ways.
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沉寂之桥
HD中字
剧情片
Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody. Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother. The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code. Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.