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老大不小之都会好的
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知名美妆博主Didi和幼儿园音乐老师高炜虽然并不富裕,却认真积极的过好每一天,Didi在一次体检中查出淋巴癌,生命进入倒计时。 Didi想跟高炜提分手,知道真相的高炜却选择用日常的点滴来安慰Didi,他相信一切都会好的。他选择陪着她,哪怕只有短短一两年。但是Didi的状况日益严重,她决定告诉身边的家人朋友,她得了淋巴癌,她也决定通过自己的直播平台,记录下自己剩余的日子...
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维特根斯坦
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这是一部现代风格的戏剧，介绍了生于维也纳，在剑桥读书的哲学家Ludwig Wittgenstein (1889-1951)的生平及思想。他的主要兴趣在于研究语言的本质与极限。 电影使用最简单的黑色背景，所有的投资都用在服装、演员以及灯光上，构图就像黑暗的启蒙主义绘画。Wittgenstein以一个小男孩的形象出现，他的少年时代很压抑，银幕上他的家人都身穿罗马人的宽外袍。一系列的小场景描述了他从小时候，到第一次世界大战，再到最终在剑桥当教授和Bertrand Russell以及John Maynard Keynes合作的生平。导演Derek Jarman使用了一些戏剧小品，还有富于想象力的小花招，比如出现了火星侏儒，来表现Wittgenstein的贵族举止，犹太背景，以及同性恋倾向。
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绅士爱美人
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罗丽拉（玛丽莲·梦露 Marilyn Monroe 饰）和桃乐西（简·拉塞尔 Jane Russell 饰）是舞台上的好搭档，生活中的好伙伴。艳光四射的两人走在一起，吸引了无数男人的目光，然而，她们并非空有一副好皮囊，论智商，罗丽拉和桃乐西可不输给任何人。 某日，罗丽拉登上了驶往法国的轮船，前去和情人艾仕文（埃利奥特·里德 Elliott Reid 饰）结婚，在船上，两人遇见了一名为古斯（托米·努南 Tommy Noonan 饰）的男子。原来，古斯是艾仕文父亲派来的私家侦探，为的是考验罗丽拉对自己儿子的真心。随着时间的推移，桃乐西竟然慢慢爱上了善良的古斯，但罗丽拉很显然帮自己的好闺蜜相中了另一位“金龟婿”。
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紫色女郎
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一位在韩国城做卡拉ok女招待的年轻女子在父亲生命的最后几天与她疏远的兄弟重逢。 卡西(Kasie)住在洛杉矶的韩国城(Koreatown)，她是一名卡拉ok女招待，靠酒醉的男人陪伴赚钱。当她父亲的临终关怀护士离职后，她与分居的弟弟凯里重新联系，迫使他们进入了一个强烈的自我反省时期，因为抚养他们长大的单身父亲即将离世。
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神圣骗局
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最異想天開的黑人詐欺喜劇，一對兄弟檔走投無路到想打劫上帝！雅各是一位自以為是的行騙光棍，某日，他與食古不化的兄弟凱恩在黑幫追殺下，竟跑去破敗教堂尋求庇護。沒想到竟心生歹念，企圖行騙教士、詐取錢財，以湊足積欠黑幫的鉅款。此時，凱恩意外愛上美麗的教會秘書，計畫因此有變數，這場鬧劇會如何收尾呢？
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白色堡垒
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青少年法鲁克和朋友靠帮黑手党做事为生，直到他遇到中产阶级女孩莫娜，一段青春期的浪漫爱情由此萌发。影片徘徊在惊悚片和童话故事之间，灰暗现实与迷人梦境互相交织，极富油画质感的布光、舒缓的钢琴旋律衬托出年轻人的迷惘与哀愁。波黑导演伊戈尔·德尔利亚凭借一个浪漫爱情故事之壳，展现战后萨拉热窝的社会氛围，以及不同阶层的生活状况。本片入围2021年柏林电影节新生代青年竞赛单元。
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疑罪从无
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戴维本是个有着幸福生活的年轻父亲：一个他深爱的妻子，两个可爱的孩子，还有一群经常相伴出游的死党。然而，在一次与家人和朋友的度假之后，一切都变了......在度假期间，发生了一起谋杀案，而戴维据被警方列为高度怀疑对象。然而，随着调查的深入，戴维的秘密被一个一个的揭穿......并不明朗的案情，朋友们的疏离，同事们都把他当杀人犯小心提防，就连相爱多年的妻子也对他心存戒备，保持距离，曾经美好的家庭面临破碎的危险。尽管戴维坚称自己是无辜的，但整个事件已经对他的人生产生了不可挽回的影响，在愧疚自责和抑郁不平中，戴维将面对已经变化的亲友关系，怎样重启新的生活......
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玛戈王后
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十六世纪后半叶，法国处于“胡格诺战争”时期，天主教和新教残酷战争不断。而宫廷内部也奢华淫靡，腐败不堪。为了平息连年内战，信仰天主教的法国宫廷决定将玛格丽特公主（Isabelle Adjani 伊莎贝尔·阿佳妮 饰）嫁给新教徒的首领纳瓦尔国王亨利（Daniel Auteu il 丹尼尔·奥德耶 饰）。 1572年8月24日，婚礼在巴黎隆重举行。正当人们沉浸在欢乐的气氛中时。凯瑟琳皇后（Virna Lisi 饰）却下达命令，发动了一场针对新教徒的血腥大屠杀，即西方历史上著名的惨案——“圣巴托罗缪之夜”…… 影片改编自大仲马的名著，荣获1994年戛纳电影节最佳女主角（维尔娜·丽丝）和评审团大奖，1995年凯撒电影节最佳女主角、最佳女配角、最佳男配角最佳剧本和最佳服装设计等多项大奖。
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猛于炮火
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一位著名的战地女记者因车祸去世，几年后，她的作品展即将召开，前任同事计划发表的纪念文章将揭露她的真正死因。女记者的丈夫正处于和小儿子紧张的关系中，不知如何把真相告诉孩子，大儿子刚刚在婚姻中收获了爱情的结晶，然而并不开心，一家人忍受着秘密与谎言的折磨，真相的披露能否带来转机？
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爱的命运
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正直勇敢的贾汉上尉一直坚信自己的命运要由自己掌控，面对人生的各种挑战，都要做赢家。 在奉命抓获私自到军事禁区水域游泳的苏哈妮之后，两人由斗气冤家，逐渐演变为彼此难舍难分的爱侣…… 然而，命中注定他们的爱不会一帆风顺，这段姻缘遭到了苏哈妮家人的坚决反对，他们爱的命运也受到了空前的考验。 离开家庭，一心想自己掌控爱情的苏哈妮，却目睹了贾汉的订婚场面…… 救了陷入暴风雪中的新郎，应邀参加其婚礼的贾汉，残酷地发现婚礼的新娘正是苏哈妮…… 面对命运的挑战，贾汉会怎样应对？他们爱的命运会走向何方？……
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爱火
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由加籍印裔女导演迪帕．梅塔执导，曾获芝加哥国际影展奖。因内容表现在打破传统的 “性禁锢方面，所以公映时竟触发狂潮，成为众矢之的，导演本人亦遭受恐吓。剧情介绍新德里一个年轻美貌姑娘嫁入中产店主家庭后，因丈夫沉缅于香港功夫，并迷恋于中国艳女而受到冷落。而不育的大嫂亦因丈夫参与 “灵修倍感寂寞，两人同病相怜遂成闺中好友，并发展成床上鸳鸯。后来东窗事发，迫使两人离家出走。该片在印度来讲，内容较为惹火，但比起香港片，似乎仍显平谈，而且剧情颇为噱头，算不上佳作。不过对女性情欲描写极为细致，有一定的文艺剧情趣味。该片还入选香港 “印度多面睇十大印度影片。 Ashok (Kulbhushan Kharbanda) runs a family business that sells takeout food and which also has a video rental store at the side. Ashok's extended family includes his wife Radha (Shabana Azmi), his brother Jatin (Javed Jaffrey), their ailing mother Biji (Kushal Rekhi) and their manservant Mundu (Ranjit Chowdhry), all living under the same roof. Jatin, at the insistence of Ashok and their mother, Biji, agrees to marry the beautiful Sita (Nandita Das) in an arranged marriage, although he is actually in love with Julie (Alice Poon), a Chinese-Indian. At first glance, you see a happy middle-class family going through the normal paces of everyday life. However, as the layers are slowly peeled back, we find a simmering cauldron of discontent within the family, with almost every family member living a lie. Both marriages in the family turn out to be emotionally empty, without love or passion. While Ashok is an ascetic who has taken a vow of celibacy, Jatin is a handsome ladies' man who is still openly seeing Julie even after his marriage to Sita. Ashok has pledged his total devotion to a religious holy man, a swami, in order to purge his life of worldly desires and temptations. Radha, bound by her sense of duty to her husband, agrees to go along with his wishes. As you can imagine, with both husbands ignoring their spouses' emotional and sexual needs (albeit with reasons that are totally opposite from each other), it is only a matter of time before Radha and Sita look to one another for comfort and to satisfy their own passions. In this environment, it is only natural that Sita and Radha become fast friends, and, in time, much more than that. But their love is not without its share of painful obstacles.
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灿烂阳光
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内战连绵多年之后，一名尼泊尔共产党员终于收拾行囊，带著路上巧遇的孤儿返回偏远家乡，好为甫逝世的父亲奔丧。他的亲兄弟在内战中投入了敌对阵营，水火不容的两人只好约定暂时休战；妻子则生下了其他男人的女儿，小女孩却以为他才是自己的亲生父亲。在抬着遗体下山火葬的这趟险峻路程中，隐忍已久的对立衝突终于全面爆发。 导演将延烧十年的尼泊尔内战巧妙纳入一场葬礼之中，在这座偏远山村裡，男尊女卑与种姓制度仍然根深柢固；来自外界的男主角儘管曾为现代普世价值而战，但为了替亡父完成葬礼，却不得不屈从于信奉古老习俗的村中耆老。现代与传统、宗教与世俗，甚至家庭与亲情、战争与和平，终将在这一面飘扬著白日的尼泊尔国旗之下疗伤癒合。
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漫长的告别1971
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It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the Long Good Bye she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for (c)
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滑车
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To chase her dream of going to school in her remote Himalayan village, a feisty paraplegic girl locks horns with her tradition-bound grandfather. Sprightly Chuskit's dream of going to school is cut short when she is rendered a paraplegic after an accident. She's confined to life indoors in the company of her strict grandfather, Dorje. Chuskit continues to harbor hopes of school but Dorje tries to make her understand that school can't handle her needs. As life at home gets harder, her battle with her grandfather exacerbates. Caught in between their struggle are Chuskit's parents and her enterprising brother who want to respect the old world views that Dorje represents, but also want to keep Chuskit's spirit alive. Chuskit will have to get her grandfather to yield or she will have to accept the reality he has chosen for her.
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湄公酒店
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This experimental work begins with director's rehearsing his new film Ecstasy Garden. The film crosses back and forth the border between reality and fantasy while lovers, mother and daughter come andgo to the river. Mekong Hotel shot during the flood, intertwines the destruction, politics and drifting dream of future.
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洛瑞太太和她的儿子
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他那咄咄逼人的控制狂母亲 成就了二十世纪英国最伟大的画家之一 L.S. 洛瑞是二十世纪英国最伟大的国民画家之一，独特的画风深受英国民众喜爱。但是他的画作在早期却遭艺术评论家嘲笑为出自儿童之手，因为他笔下的人物，头大大，身体细细，就像一根根的火柴棒一样，被称为“火柴男人”。虽然说洛瑞的母亲伊莉莎白女士，一生都在阻扰他的艺术事业，但是洛瑞之所以能够成为优秀的画家，却不得不归功于他的母亲。在他父亲去世之后，洛瑞负责照顾卧病在床的母亲，每每等到她入睡了才在阁楼开始作画，全心全意，甘之如饴。抑鬱寡欢的伊莉莎白总是叨叨念著她对儿子的不满与失望，洛瑞却终其一生都在追寻著如何让母亲快乐，他的生活与他的画作都渴望著母亲的认同。本片由知名皇家莎士比亚剧场前任总监亚德里安．诺布尔担任导演，找来坎城影帝提摩西司伯饰演这位伟大的画家，以及坎城影后凡妮莎蕾格烈芙饰演控制狂的母亲。两人精湛的演技，演活了这对讽刺却又带幽默的母子。 「烟囱林立以及冒著黑烟的天空，火柴男子出现在一成不变的工业景观裡踽踽独行。」洛瑞的作品纪录了后工业化的英国城市景观，以及人们的疏离，直到现在，仍能引起共鸣。他在晚年被皇家艺术学会及曼彻斯特学院延揽，作品曾以370万英镑高价售出。他多次拒绝了英国首相颁发的勳章，并拒绝了勳爵的封号。
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洛奇4
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1985年，那时正是美苏两极争霸越演越烈的年代，史泰龙自导自演的洛基系列也出到了第四集，这一系列影片旨在振奋人心、宣扬美国精神。这一集讲述的是洛基（西尔维斯特•史泰龙 Sylvester Stallone 饰）的好友前美国拳王到苏联出战他们研制的拳击机械人，不敌对手最终身遭不测。为了帮好友复仇和维护国家荣誉，洛基决定再次出马。 出战前，洛基进行了一系列精心的准备工作，他深入到大自然，利用自然的艰苦条件刻苦训练。当一切准备妥当，洛基和苏联拳王――拳击机械人的决斗展开了！
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永不独行
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戛纳参展影片，女性导演Ellen Perry作品——《Will》。讲述一个名叫ZUKIC的利物浦小球迷的故事。电影中现任利物浦主教练肯尼·达格利什，队长史蒂文·杰拉德均有出演。海报上最亮点还是红军世代相传的那句“YOU'LL NEVER WALK ALONE”，海报的背景舞台是2005年5月25日的伊斯坦布尔之夜。影片将于戛纳时间5月16号点映，公映时间尚不明确。
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水中效应
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萨米尔(Samir)是一名身材高大、身材瘦长、40多岁的起重机操作员，他来自巴黎郊区的蒙特勒伊(蒙特勒伊)，深爱着他。他发现她是一个游泳教练在当地的游泳池,以及缺乏一个更好的计划,他决定让她的学生…虽然他可以完美地游泳。但他的谎言只会持续3个教训，他讨厌撒谎的人。真相的表面。Agathe是愤怒。结束吗不！在一次商务旅行中，阿加西前往冰岛，在她和萨米尔之间建立了一个海洋。
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母亲与疯子们
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电影回顾了匈牙利风雨飘摇的20世纪。一位92岁的匈牙利女性在与五十多岁女儿的对话中，回顾了她惊心动魄的一生。她成长于匈牙利动荡的年代，与一位帅气的军人一见钟情，为了避免战争的冲突，她一生搬家了27次。电影以幽默和温情的方式来呈现了这段不凡的个人经历。它不仅是一位女性的个人史，亦是匈牙利的国家历史。
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欧洲的某个地方
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Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
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欢迎到南方
HD中字
喜剧片
阿贝托（Claudio Bisio 克劳迪奥·比西奥 饰）在镇上的邮局里干了一辈子，因为这份工作，他和妻子西尔维娅（安杰拉·菲诺基亚罗 Angela Finocchiaro 饰）之间的关系非常的紧张，西尔维娅希望阿贝托能够再努力努力争取被调到大城市米兰工作，但阿贝托的努力似乎带来了反效果，他不但没有被升职，还遭到了贬值被调到了位于偏僻南方的分部上班。 作为一个北方人，要在南方生活对于阿贝托来说会是一件非常可怕的事情，但很快的他就发现，自己所在的这个男方小镇上的居民们都非常的友好和善良。他甚至在这里交到了朋友马蒂亚（亚历桑德罗·希亚尼 Alessandro Siani 饰），而妻子对于这一切还一无所知。
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梨子树
HD中字
剧情片
一部很浪漫的电影。已经成为著名作家、哲学家和诗人的马哈茂德为了静心写作离开城市，回到了少年时居住的家族庄园。一棵不结果的梨树使他的开始回忆起自己12岁时发生的一段刻骨之恋…… ◎获奖情况：1998年芝加哥国际电影节最佳影片银雨果奖、1998年伊朗Fajr国际电影节最佳女演员、最佳摄影2项奖。
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林恩与露西
HD中字
剧情片
Lynn and Lucy are life-long best friends, their relationship as intense as any romance. Neither has ventured far from where they grew up. Lynn, who married her first boyfriend and whose daughter is fast growing up, is delighted when the charismatic, volatile Lucy has her first baby boy. Lucy, however does not react to being a mother as Lynn expects. Soon, they find their friendship is tested in extreme circumstances.