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冒牌刺客
HD中字
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苏兰和家兵是一对名副其实的笨贼，除了整天想出一些稀奇古怪的盗窃计划之外，从来没有干成过一件事。木讷的家兵深爱着苏兰，对她的话惟命是从，可苏兰却一直不接受家兵。[1] 一天，两人打算到一所古旧的宅子里偷东西，却眼睁睁地看着宅子的主人----一对夫妻发生意外死在跟前，更可怕的是他们发现这对夫妻竟然是江湖上大名鼎鼎的杀手夫妇，男的绰号狐耳，女的绰号猫尾。苏兰和家兵担心被人误会，决定溜之大吉，谁料刚走到门口，就迎面碰上一位前来拜访的客人。客人叫边靖，是城郊宝升煤矿的老板，他误把苏兰和家兵当成杀手夫妇，以二十万的价格请他们去刺杀张佑权县长，两人只好假装答应下来。 送走边靖，苏兰和家兵决定赶紧逃走。然而第二天，两人却被人劫持了，他们被带到一座豪华的府邸，屋子里坐着的正是县长张佑权，而他的目的则是请两人去刺杀宝升煤矿老板边靖！原来张县长也把苏兰和家兵误认作是猫尾、狐耳夫妇。 苏兰和家兵彻底傻眼了，他们其实连一只鸡都不敢杀，跑又跑不掉，两方各怀鬼胎，一场暗杀完全成了面对面的决斗。苏兰和家兵该怎样解决这个棘手的问题？张佑权县长和边靖老板的矛盾究竟根源于哪？
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兵演兵
HD中字
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电影名《兵演兵》 导演：李娴娟(总) 王程帆 李希强 周刚 郭谨良 主演： 地区：中国大陆 分类：戏曲片 上映：1991年1月1日 纪录了中国人民解放军1990年全军业余文艺汇演的部分优秀节目，其中有南京军区的，总参、二炮、兰州军区代表队合演的唢呐三重奏《朝阳沟》选段，总后的女声独唱《唐古拉的风》，成都军区的舞蹈，北京军区齐海霞的女声独唱《兵之歌》。沈阳军区郭其富、李智敏的对口相声《接雷锋》。海军代表队的歌伴舞《山里来的水兵》，南京军区的表演唱《咱们的马连长》，总参王红涛的女声演唱《南腔北调》，广州军区的相声《文明值勤》，二炮的表演唱《我跟祖国一二一》，总后的表演唱，二炮的《电视管理员》，总参的女声二重唱，北京军区的男声二重唱，总参的独舞《工地... 本台记者报道： 昨天（10.22）上午，省会“征兵宣传日”活动在人民广场举行。1000多名适龄青年及家长和各界群众前来咨询今年的征兵政策和条件。 省军区政委张连仁少将在活动仪式上讲话。他说，依法服兵役是《宪法》赋予每位公民的光荣义务，广大适龄青年要积极响应祖国召唤，踊跃报名应征。广大家长要以国家利益为重，舍小家、顾大家，积极支持子女参军入伍、报效祖国。 市委书记、市长、市征兵工作领导小组组长吴显国表示，征兵工作是加强国防和军队建设的基础工程，必须站在加速推进社会主义现代化的历史进程，构建社会主义和谐社会，实现中华民族伟大复兴的高度，全力以赴地做好征兵工作。吴显国指出，各级政府要加强组织领导，兵役机关要充分发挥职能作用，有关部门要积极配合，为征兵工作提供强有力的组织保证。要采取多种形式，迅速掀起征兵宣传的高潮，大力营造“国防义务、人人有责”、“一人参军、全家光荣”的良好氛围，激励广大适龄青年的参军报国热情。 活动之后，军地文艺工作者同台表演了舞蹈《兵演兵》等精彩的文艺节目，省、市军地领导向适龄青年发放了征兵宣传资料。
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关于在短时间内的某几个人的经过
HD中字
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Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts. These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves. Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished. Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives. Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production. The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation. Our camera has captured for you a few aspects of a provisional microsociety. The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning. This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them. The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued... Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...� Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations. Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality. On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time. Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom. Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive. Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language. Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever. The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns. What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality. Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations. Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep. Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world. Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past. Voice 2 Years, like a single instant prolonged to this point, come to an end. Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it. Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being kept Voice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything. Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time. Voice 1 Really hard to drink more. Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot. Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed. Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need. The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life. To really describe this era it would no doubt be necessary to show many other things. But what would be the point Better to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories. 1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
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关于高妹的一切
HD中字
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两个女孩开始谈论另一个女孩，即两人的前爱人。随着她们的关系越来越密切，两人之间的隔阂也越来越大，因为她们其中一人正在寻找答案和爱情，但又闭门不出。在今天的罗马尼亚，这是在令人窒息的偏见中对爱情的尝试。微博 亿万同人字幕分享
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克雷兄弟的秋天
HD中字
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Simon Cotton as Ronnie Kray and Kevin Leslie as Reggie Kray , picks up the story of the infamous Firm as the sanity of the two brothers bring uncertainties to the there business plans . now with their empire in place, the brothers must now fight to keep hold of both as the obsession of one police officer becomes undeceived by the dangerous state of mind for Reggie and Ronnie respectively.
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克莱莎的秘密
HD中字
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18岁的斯塔拉，活泼，美丽，是她的单身母亲的心肝宝贝，在南非长大的斯塔拉自信并且多谋。长久以来，她一直想要知道她的妈妈为什么不让她回欧洲，去见她的家人。突然，克莱莎在车祸中丧生，斯塔拉才知道妈妈又太多的事情隐瞒自己。
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催眠者(原声版)
高清
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所谓的催眠者是经过训练的人员，平时低调生活在普通人中间，不显山露水，被形象地称为进入“催眠”状ccc。一旦需要，他们会马上复苏，执行他们的任务。迪哈因为犯罪而被捕，于是他威胁说要唤醒他手下的被催眠者。犯罪调查处的特工人员尼科·海林和维克多·罗斯想尽一切办法保护首席检察官科宁，还是让催眠者得了手。他的一下个目标是政府总理。为了防止悲剧发生，警察不得不决定暂时释放迪哈。令人意想不到的是，迪哈在出狱前突然死于突发心脏病。现在只有靠特工们来阻止催眠者了。
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傩教经济
HD中字
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傩教经济（Nuoist Economy）是我自创的一个概念，改编自libidnal economy。它探讨现代化分支的能力形式及本地性案例的解释力空间，仅求陈述贡献式经济得以创造的可能条件。
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你的荒野求生电影版：出逃的野兽
HD中字
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这是一部激动人心的90分钟互动式电影，适合全家观看。野生动物保护区周围的防护栅栏已经遭到神秘破坏，现在动物们正处于失散状态。贝尔被召来帮助营救一只顽皮的狒狒，追踪一头饥肠辘辘的狮子，同时在更多动物逃跑之前修好栅栏。三个紧急任务在等着您，并且时间紧迫，贝尔需要您的帮助。由于有可能完成神秘任务，每个决定都会影响这场互动式冒险，因此让您的选择发挥上作用吧！
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余烬2016
HD中字
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丈夫杰马尔丢下自己和有心脏病的儿子出国去了罗马尼亚，艾米奈面对孩子昂贵的手术费不知如何是好。一直对艾米奈有爱慕之情的杰马尔前任老板齐亚给予了她极大的帮助，孩子活了下来。怀着感激的之心，艾米奈与齐亚发生了婚外情，此时丈夫却回来了。面对既是救自己孩子的恩人，又是给自己戴绿帽子的前任老板，杰马尔会何去何从呢？
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伊斯坦布尔，请不要将我遗忘
HD中字
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Six acclaimed foreign directors will shoot short films about Istanbul. Unutma Beni Istanbul (Do Not Forget Me Istanbul) is part of a project carried out within the scope of the city being European Capital of Culture 2010.
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以诺的冰雪奇缘
HD中字
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通过对一位10岁台湾小朋友以诺第一次做客吉林市及结识吉林小朋友的亲身体验和真实感受的纪实，讲述了小主人公在祖国吉林省吉林市的见闻及自身的心理变化，从一开始的不适应到慢慢接受再到最终爱上这里。
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代号花木兰
HD中字
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《代号花木兰》讲述了莫璇（吴静一饰）和柳嫣等十几个女孩经历严酷训练，命运从此发生了改变。爬铁丝网，跳木箱，擒拿格斗，姑娘们接受着前所未有的挑战。经过一段时间的魔鬼训练，姑娘们已经脱胎换骨。陆鸣给她们安排了更残酷的任务，她们即将走向没有硝烟的战场，潜入日本军人内部，完成一个个艰巨的使命。
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人类的位置
HD
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Set in Ålesund, A Human Position is a slow-paced film that unfolds in successive tableaux, to form a complete picture of the subtle changes and events that make up one's life. It explores the persistence of memory and trauma, the definition of one's moral values, and the possibility of joy. Asta is a journalist in Ålesund who seems plunged in a melancholic state, for a reason we discover bit by bit. Her supportive girlfriend refurbishes design chairs and plays the keyboard, while their kitten wanders around the house. One day, Asta reads a story in a newspaper about an asylum-seeker who is being forcefully evicted from Norway after having lived and worked a decade in the country. Gradually, Asta becomes more involved in learning about the case, and she has to find her position - both in her work and in her personal life. This beautifully-crafted film, bathed in soft colours, is a meticulous observation of Asta's life after an unnamed trauma, and as external events invite her to reconsider her own relationship to reality. One newspaper article she reads is entitled, Confronting our social conscience, which is one of the topics of A Human Position. It's also a low-key love story, with its routines and ups-and-downs, which feels very real.
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人体实验
HD
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In 2011, Lisa Hepner and her husband Guy Mossman heard about a radical stem cell treatment for diabetes, a disease that shockingly kills more than five million people each year. Driven by a desire to cure Lisa of her own type 1 diabetes (T1D), the filmmakers were given unprecedented, real-time access to a clinical trial -- only the sixth-ever embryonic stem cell trial in the world. What follows is an intimate journey with the patients and scientists who put themselves on the line to be first.
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亲爱的厌食症
HD中字
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réalisation Judith Du Pasquier un film de Sylvie Quesemand Zucca et Judith Du Pasquier production Abacaris Films coproduction ARTE France avec la participation de LCP Assemblée nationale soutien Fondation France, CNC, DICOM, Paroles et Cultures, PROCIREP et ANGOA diffusion ARTE France L’anorexie reste une énigme pour les familles, pour les médecins, pour les jeunes filles elles-mêmes. Pourquoi donc s’imposent-elles ces privations extrêmes En France et en Europe, les récits éclairants de femmes guéries et les réflexions de soignants très impliqués abordent l’univers complexe des anorexies contemporaines et explorent les nouvelles manières de soigner. Sélection Prix Média d'Enfance Majuscule 2017
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云端美人
HD中字
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池佑因前女友的意外去世，一直沉溺于过去，不肯正视现在。一次意外中，池佑偶然发现了一个与他前女友声音相似的电台主持人。随后，池佑与这个电台主持人顾瑾汐产生了一系列有趣的故事，两人从误会到逐渐认识，再慢慢地成为了无话不谈的好友。没过多久，顾瑾汐因情所伤，池佑与顾瑾汐见面，池佑带着顾瑾汐四处散心，两人度过了一段快乐的时光。但随后顾瑾汐便发现了池佑与前女友的合照，产生了误会，离开了池佑。池佑无法忘记前女友，不愿正视自己爱上了顾瑾汐的事实。眼看两人的感情就要因此结束。在最后，终于意识到自己想法的池佑，决定找到顾瑾汐，向她表达自己的爱。
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买手枪
HD中字
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In a timeless México where women are disappearing, a girl called Huck wears a mask to hide her gender. She helps her dad, a tormented addict, to take care of an abandoned baseball camp where the narcos gather to play. The father tries to protect her as he can. With the help of her friends, a group of lost boys who have the power of camouflaging themselves in the windy desert, Huck has to fight to overcome her reality and to defeat the local capo.
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乡村青年
HD中字
喜剧片
通过讲述乡村青年的创业经历，反映当下东北乡村青年的时代精神。该片展示了大众创业、万众创新的时代背景下，乡村青年杨钉回乡创业的故事，真实地反映了当下东北乡村青年的创业思考和生活状态。剧中主人公杨钉在城里打拼多年，一直怀有一颗创业之心，以回报村里的乡亲父老。他带着这个梦想和感恩的心，回到农村创业。
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乡村教师
HD中字
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一位从来没有走出过贫困大山的女人，在深山中的小学一呆就是几十年，这和时下中国巨大的农民进城潮形成了强烈的反差。是什么原因让她快乐安详细心观察和品味，你会发现：人，其实不需要太多的东西，只要内心宁静、情感真诚，虽身居深山，仍然可以获得心灵满足和精神富有。