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恋爱之瘾国语
2016 0.0分 剧情片
几个背景经历不同的女生,因为PG(Promotion girl)展开了不同的人生。晴晴 (岑日珈 饰)为储钱和男朋友志威(马志威 饰)去旅行,偷偷当上PG工作,后来志威发现后与她分手,而富二代Torres(赵劲皓 饰)也对她热烈追求,她周旋在二人之间。   Sugar(曾淑雅 饰)和Candy(崔碧珈 饰)是当红PG,善于用手段得到男人的好处,在一次富豪饭局认识了银行家Vincent(陆骏光 饰..
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恋爱之瘾粤语
2016 0.0分 剧情片
几个背景经历不同的女生,因为PG(Promotion girl)展开了不同的人生。晴晴 (岑日珈 饰)为储钱和男朋友志威(马志威 饰)去旅行,偷偷当上PG工作,后来志威发现后与她分手,而富二代Torres(赵劲皓 饰)也对她热烈追求,她周旋在二人之间。   Sugar(曾淑雅 饰)和Candy(崔碧珈 饰)是当红PG,善于用手段得到男人的好处,在一次富豪饭局认识了银行家Vincent(陆骏光 饰..
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意外粤语
2009 0.0分 剧情片
某人在开车经过街区时被突然从天而降的碎玻璃砸中,当场毙命。警察及时赶到,将此案定为意外。而实际上,意外乃是犯罪团伙联手制造的假象。团伙的首领大脑(古天乐 饰),跟女人(叶璇 饰)、胖子(林雪 饰)以及嗑药老头(冯淬帆 饰),经常联手搞意外杀人。他们采取的手段多为利用电击、雷劈、车祸、悬挂物坠落等方式。在作案中,大脑负责全盘统领,女人协助做诱饵,胖子和嗑药老头做障眼法。在前面的案件中,由于嗑药老头..
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战狼传说国语
1997 0.0分 剧情片
青年阿Ben(梁汉文 饰)通过网络试图寻找最著名的杀手战狼,终于得到战狼搭档威叔(黄子华 饰)的引见,在熟睡的战狼面前,威叔向阿Ben讲述他们年轻时的故事——战乱年代,阿威生活的小村中闯入了一个失忆陌生人冯文轩(甄子丹 饰),阿威为冯文轩引路,半途遇上山贼,冯文轩大开杀戒,令阿威折服,拜其为师。山贼一伙并未善罢甘休,对冯文轩展开连番追杀,冯文轩伤重之时,因阿威而与旧日恋人惠怡(李若彤 饰)重逢,..
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战狼传说粤语
1997 0.0分 剧情片
青年阿Ben(梁汉文 饰)通过网络试图寻找最著名的杀手战狼,终于得到战狼搭档威叔(黄子华 饰)的引见,在熟睡的战狼面前,威叔向阿Ben讲述他们年轻时的故事——战乱年代,阿威生活的小村中闯入了一个失忆陌生人冯文轩(甄子丹 饰),阿威为冯文轩引路,半途遇上山贼,冯文轩大开杀戒,令阿威折服,拜其为师。山贼一伙并未善罢甘休,对冯文轩展开连番追杀,冯文轩伤重之时,因阿威而与旧日恋人惠怡(李若彤 饰)重逢,..
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星月童话国语
1999 0.0分 剧情片
未婚夫达也(张国荣)在香港死于一场交通意外后,瞳(常盘贵子)以为自此失去幸福,生活质量开始大幅滑坡。为了兑现曾与达也在香港许下的承诺,她勉强收拾心情只身来到伤心城。同瞳一样,香港警察家宝(张国荣)也有一段伤心往事,他曾因工作狂热导致女友无法忍受冷落自杀身亡。女友死后,家宝选择做了卧底,想以更加狂热刺激的工作来麻醉和折磨自己。   瞳遇到家宝后,因为家宝与达也长得一模一样,疑惑达也还在,内心又起美..
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《心中的故乡》剧情介绍

影视大全提供影视作品心中的故乡高清全集在线观看的影视全集网,剧情片《心中的故乡》全集作品的导演是尹龙奎   ,由Choi  Eun-Hee    Byeon  Ki-Jong    Yoo  Min    Kim  Seon-Young    Seok  Keum-Seong    Nam  Seung-Min  主演,心中的故乡在豆瓣的评分为0.0,本片由小编于2024-04-11 04:28更新,希望大家喜欢,可以把《心中的故乡》推荐给你朋友,本作品的地址为 https://yuliansteel.com/movie/index31194.html

《心中的故乡》简介:Synopsis  Do-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.  Notes  A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea.  A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation. Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.  Afterword  - Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.

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