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编号17
2025 0.0分 剧情片
米奇·巴恩斯(罗伯特·帕丁森 饰)在地球一事无成,无奈下加入星际殖民计划,任职“消耗体”,从此开启了可以反复去世又不断重生、高危工作繁多望不到头的“宇宙牛马”死去活来打工记。某次,第17号米奇从又一危险任务死里逃生,回家后却发现自己已经被米奇18号取代了位置,一场啼笑皆非的科幻冒险黑色喜剧就此上演。   影片改编自爱德华·阿什顿的科幻小说《米奇7号》。
TC
来自南方的北方捕快
2024 0.0分 剧情片
明朝时期,南方某地捕头叶雨笙因索贿被贬至西北双牛堡担任捕快。面对善良淳朴的村民,叶雨笙感觉自己不受重视,于是自导自演了剿匪闹剧,却引来了真正的土匪。生死之际,叶雨笙挺身而出,成长为真正的好捕快。(猫眼电影)
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2人三足
2002 0.0分 剧情片
阮绩智(张家辉 饰)是一位业界小有名气的编剧,刚刚夺得了最佳编剧奖,前途一片光明。事业丰收的他在情场上亦十分得意,女友雯雯(车婉婉 饰)美丽可人,两人之间感情十分要好。就在阮绩智踏上人生巅峰之时,一场突如其来的车祸让他顿时跌落谷底,他不仅失去了工作和女友,还失去了一条腿。   在阮绩智最失意的时刻,是温柔的护士辛迪(朱茵 饰)不离不弃的陪伴在他的身边,随着时间的推移,两个性格和经历大相径庭的人,..
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C+侦探国语
2007 0.0分 剧情片
住在曼谷唐人街,父母早年失踪的阿探(郭富城 饰),自幼渴望和好友风泽(廖启智 饰)一起投身警界,却因高度近视未能如愿,不甘心之下,他当起了私家侦探,却只能接一些鸡鸣狗盗的小案子,赚钱不多、口碑奇差,还时常入不敷出,要靠风泽接济。一天,阿探的朋友肥龙(成奎安 饰)委托他调查一个女人,声称自己正在被她追杀。好奇之下,阿探根据照片查出这个女子叫莫慧心,却在寻找相关知情人士时接连出现怪异事件:跟莫慧心有..
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C+侦探粤语
2007 0.0分 剧情片
住在曼谷唐人街,父母早年失踪的阿探(郭富城 饰),自幼渴望和好友风泽(廖启智 饰)一起投身警界,却因高度近视未能如愿,不甘心之下,他当起了私家侦探,却只能接一些鸡鸣狗盗的小案子,赚钱不多、口碑奇差,还时常入不敷出,要靠风泽接济。一天,阿探的朋友肥龙(成奎安 饰)委托他调查一个女人,声称自己正在被她追杀。好奇之下,阿探根据照片查出这个女子叫莫慧心,却在寻找相关知情人士时接连出现怪异事件:跟莫慧心有..
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不一样的爱
1976 0.0分 剧情片
农学院毕业的文星雨来到蔡祖森的花圃工作,蔡希望星雨能培育出新品种并使花圃发展壮大.但计划遭到蔡的独生子蔡培伦的反对,他认为将土地出售利润更大.星雨与其相商未果,却意外地认识了培伦公司的出纳小姐宋小瑜.   培伦对宋早有心意,看到星雨与小瑜接近便醋意大发,遂劝母亲相助想让星雨失去花圃的工作.所幸蔡父不同意,培伦一时无可奈何.正当星雨和小瑜的感情日增之际,因为培伦资助了小瑜父亲一笔急需贷款,而引起星..
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《盲目的丈夫们》剧情介绍

影视大全提供影视作品盲目的丈夫们高清全集在线观看的影视全集网,剧情片《盲目的丈夫们》全集作品的导演是埃里克·冯·施特罗海姆   ,由萨姆·德·格拉斯  Francelia  Billington  埃里克·冯·施特罗海姆  Fay  Holderness  Richard  Cumming  主演,盲目的丈夫们在豆瓣的评分为0.0,本片由小编于2024-04-11 04:46更新,希望大家喜欢,可以把《盲目的丈夫们》推荐给你朋友,本作品的地址为 https://yuliansteel.com/movie/index36342.html

《盲目的丈夫们》简介:Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.

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