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取脑袋冈村
2024 0.0分 喜剧片
本作は「真・事故物件/本当に怖い住民たち」で映画製作プロジェクトをスタートさせたサイゾーによるホラー映画の第2弾。オカムロという名を聞いたり口にすると、何者かに首を狩られるという江戸時代から言い伝えられる伝説をモチーフにした作品だ
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艾米莉亚·佩雷斯
2024 0.0分 喜剧片
 丽塔是一位资历很高但总被低估的律师。她工作的事务所更感兴趣的是让罪犯摆脱困境,而不是将他们绳之以法。  有一天,她得到了一条意想不到的出路。毒枭头目马尼塔斯雇佣她来帮他金盆洗手,并实现他多年来秘密准备的计划:像他一直梦想的那样,成为一个女人。
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十全九美村
2024 0.0分 喜剧片
小沙兜  /
村里的职业媒人罗圈,给张山虎的孙子张佳南说媒,媒事没成,但二十万的彩礼钱却被罗圈放贷吃利息。张山虎多次索要未果,以死相逼。罗圈答应再给张佳南介绍一个,顶上那个彩礼钱。罗圈找了一个女孩当“托儿”,继续坑张山虎的钱。于是……
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我的老屁友
2024 0.0分 喜剧片
 The summer before college, bright-yet-irreverent Elliott comes face-to-face with her older self during a mushroom trip. The encounter spurs a funny and heartfelt journey of self-discovery and first ..
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三个蠢贼
2025 0.0分 喜剧片
故事讲述了康福药厂老厂长的突然离世,其拥有的一颗“百年野参王”引得众人觊觎。三个各怀心思的男人,阴差阳错之下组成了“侠盗联盟”,与跨国雌雄大盗展开了一番土洋味儿十足的“夺参”对决。却不曾想真正的幕后操盘手正在默默注视着一切...
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球场裸奔培训班
2017 0.0分 喜剧片
In order to get out of a financial crisis, high school teacher Balz Naef (53) starts recruiting and training streakers for illegal sports betting. While he and his team help streaking become the new ..
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《从今天到明天》剧情介绍

影视大全提供影视作品从今天到明天高清全集在线观看的影视全集网,喜剧片《从今天到明天》全集作品的导演是达尼埃尔·于伊耶  让-马里·斯特劳布   ,由内详  主演,从今天到明天在豆瓣的评分为0.0,本片由小编于2024-04-11 05:15更新,希望大家喜欢,可以把《从今天到明天》推荐给你朋友,本作品的地址为 https://yuliansteel.com/movie/index44291.html

《从今天到明天》简介:Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.

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