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艾德蒙·奥布莱恩,丽莎贝斯·斯科特,泰瑞·摩尔
1951美国恐怖片
简介:Brandy Kirby和邪恶的律师Vincent Mailer想通过伪造一个William和Maida McIntyre夫妇失散多年的儿子,来捞取好处。Brandy于是诱骗赌徒Lefty Farrell假扮这个儿子。McIntyre的侄女,喜欢Lefty,将他介绍了McIntyre夫妇,老夫妇很快相信了这就是Lefty他们的儿子,但老人却不肯修改遗嘱。Lefty不敢杀害McIntyre,而说穿了Mailer的骗局。(文:life_is_good@YDY) Brandy Kirby and crooked Lawyer Vincent Mailer plan to rob William and Maida McIntyre by producing a convincing double for their long-lost son. Brandy charms gambler Lefty Farrell into impersonating the missing son. Kathy, the McIntyre's niece, who likes Lefty, introduces him to the McIntyres who soon become convinced he is their son, but the old man refuses to change his will. Lefty balks at killing McIntyre and exposes Mailer's attempted swindle. Brandy and Lefty end up together as two of a kind.
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法利·格兰杰,罗伯特·沃克,露丝·罗曼,里奥.G.卡罗尔,帕特里夏·希区柯克,凯茜·罗杰斯,马里恩·洛恩,乔纳森·哈勒,霍华德·圣约翰,约翰·布朗,诺玛·威登,罗伯特·吉斯特,默里·阿尔珀,曼雅·安德烈,阿尔·布里奇,约翰·巴特勒,李奥纳多·凯瑞,奥利弗·克罗斯,约翰·达海姆,约翰·狄福塞,罗伊·恩格尔,赫伯特·埃文斯,富兰克林·法纳姆,Joel,Allen,布鲁克斯·贝内迪克特,Joe,Broo
1951美国恐怖片
简介:盖伊(法利·格兰杰 Farley Granger 饰)拥有一段并不幸福的婚姻,他的妻子乔伊斯(凯茜·罗杰斯 Kasey Rogers 饰)是一个水性杨花的浪女,盖伊对妻子的不忠恨之入骨。布鲁诺(罗伯特·沃克 Robert Walker 饰)常年受到专横的父亲安东尼先生(乔纳森·哈勒 Jonathan Hale 饰)的压制,忍无可忍的他逐渐起了杀心。就是这样的两个倒霉男人,他们在一列火车上相遇了。 互诉衷肠之后,布鲁诺提出了交换杀人的建议,企图给警方造成无动机的假象。盖伊以为布鲁诺只是开玩笑呢,不置可否,哪知道没过几天,乔伊斯竟然真的死于非命。布鲁诺完成了他的承诺,下面轮到盖伊了。
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玛格丽特·谢里丹,肯尼斯·托比,罗伯特·科恩斯韦特
1951美国恐怖片
简介:Scientists and American Air Force officials fend off a blood-thirsty alien organism while at a remote arctic outpost
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Robert,Clarke,Margaret,Field,Raymond,Bond
1951美国恐怖片
简介:One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice character to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .